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November 22nd 2008

Mondo Mancunia Day Four, Shunt Lounge, London Bridge, London

10.00pm BITING TONGUES
One final information explosion – hear everything in every dimension. Nothing will ever be the same again. Ever.

November 21st 2008

Mondo Mancunia Day Three, Shunt Lounge, London Bridge, London

10.00 pm BITING TONGUES
Emerging out of the dark days of post-punk Manchester, Biting Tongues represented an uncompromising attempt to blend electronics, text and dance beats to harsh and overwhelming effect. Renowned for their unique high-energy performances and experimental video projects, the band’s original line-up featured writer Ken Hollings on vocals, multi-instrumentalist Graham Massey, filmmaker and saxophonist Howard Walmsley working together over the fiendish rhythm engine made up of Colin Seddon on bass and Eddie Sherwood on drums. In close collaboration with premier Manchester labels New Hormones and Factory Records, Biting Tongues recorded a series of album EP and 12 releases as well as ‘Feverhouse’, their ambitious independent film project released on video by Factory Ikon.

In 2003 the original Biting Tongues reformed to perform selected shows at the ICA and Islington Mills, with Hollings, Massey and Walmsley working together on new audiovisual presentations such as ‘Dr X’ at the Royal Institution in London as well ‘Ego In Exotica’ and the ‘Lonely Creatures’ series of short films at the Green Room Theatre in Manchester. With their back catalogue available on CD, the band is currently enjoying some long overdue credit for their innovative pre-digital slicing and dicing of sound, text and vision. ‘Effortless ferocity,’ The Wire remarked of Biting Tongues’ return to live performance, ‘as exhilarating and as urgent as ever.’

DJs for this evening Resonance FM’s Kosmiche crew and Kelvin Brown + Special After-show Performance featuring GRAHAM CLARK and GRAHAM MASSEY. Graham Clark is one of the UK s leading improvising violinist. Combining Massey’s electronic landscape with Clark’s virtuoso playing, the duo has been performing together off and on since 1977 most recently at a sell-out show at the Manchester Jazz Festival.

November 20th 2008

Mondo Mancunia Day Two, Shunt Lounge, London Bridge, London

8.00pm DR X: A Version of Events
Spoken word with video and live electro-acoustic soundtrack. Filmed nearly 70 years ago in a revolutionary new two-colour separation process, the Hollywood thriller ‘Doctor X’ is a largely neglected film these days. Its title, however, has entered popular culture as a cipher for everything mysterious, secret and strange. Writer Ken Hollings, in collaboration with composer Graham Massey and filmmaker Howard Walmsley, uses mythically enlarged recollections of the original film to create retrofitted images of a totalitarian futuristic New York in which AC electricity is banned and ‘radio psychics’ are used in the detection of crimes. Examining electricity, crime, scientific inquiry and pathological behaviour, Dr X was originally commissioned for the Royal Institution event ‘Electra: Electricity Culture’ in 2004. This is a new expanded version has been created especially for Mondo Mancunia. For a preview clip, click here.

9.00pm WELCOME TO MARS
Ken Hollings reads extracts from his new book ‘Welcome To Mars', published by Strange Attractor Press, to an accompaniment of contemporary footage from the Prelinger Archives, plus live electronic tonalities performed by Mark Pilkington, Simon James and Bruce Woolley. This is an expanded version of the show I performed last month at the Other Cinema in San Francisco.

November 19th 2008

Mondo Mancunia Day One, Shunt Lounge, London Bridge, London

8.00 pm EGO IN EXOTICA SUM: In Memoriam Martin Denny 1911- 2005
Spoken word/audiovisual piece written by Ken Hollings and Graham Massey in 2005: Martin Denny’s 1950 s ‘Exotica’ combo recreated by members of Toolshed: ‘We rob ourselves of paradise by our very presence there: to see it with our own eyes is to see it vanish before our eyes.’ Full text of the oration is reproduced in full in Strange Attractor Journal III.